Big Lebowski’s big Limited Blu-ray edition

The Big Lebowski (Universal, $29.98) is like your old buddy who is so amusing and you get a big smile every time you even think about getting together again. This week’s (Aug. 16, 2011) Limited Edition Blu-ray of the cult comedy classic offers much to laugh about once again:

  • The movie itself and the disheveled Dude is enough
  • Vintage Coen Brothers off-the-wall characters and situations
  • Jeff Bridges and entire cast give performances of their careers
  • 28-page booklet with hilarious movie quotes, quizzes, interviews, Bridges’ photos
  • Interactive elements are fun to keep track of utterances of the f-word,  pop-up picture-in-picture comments, interviews, behind-the-scenes
  • Bonus features galore including making-of, finishing lines of dialogue trivia, previously-released ten-year anniversary interviews, and fun interactive map of shooting locations.

– By Scott Hettrick

 

Lion King, Beast 3D premieres

Disney will unveil its long-awaited converted 3D version of “The Lion King” at 6 p.m. Saturday (Aug. 20) during this year’s D23 Expo in Anaheim, Ca.
Then the studio will introduce the animated classic publicly at its own El Capitan Theatre in Hollywood and a national limited three-week theatrical engagement Sept. 16 – Oct. 6. That will follow a two-week engagement of a 3D version of “Beauty and the Beast” exclusively at the El Cap Sept. 2-15.
Both movies will be released on Blu-ray 3D on Oct. 4.

At the last D23 Expo in 2009, Disney introduced the 3D conversions of “Toy Story” and “Toy Story 2″ and showed scenes from “Beauty” which was to be released theatrically in early 2010. It was at the height of interest in 3D following the release of “Avatar.”
But the theatrical release of a double-bill of “Toy Story” and “Toy Story 2″ in the fall of 2009 proved to be less than spectacular, grossing only $30 million domestically and $32 million worldwide.

The release of “Beauty and the Beast” was subsequently delayed several times before finally being announced for Blu-ray DVD earlier this year.

Prices for the theatrical 3D presentations of “The Lion King” and “Beauty and the Beast” at the El Capitan range from $10 – $23 and include a stage show and breakfast with Belle at “Beauty” and breakfast and a stage show appearance by Timon at “Lion King.”

– By Scott Hettrick

Fox & Hound on Blu; Mars Moms Blu 3D

Disney’s two Blu-ray releases this week (Aug. 9, 2011) are notable for different reasons and both are worth a look:

* Mars Needs Moms (Disney, $49.99 4-disc set w/ 3D) took a pounding from critics and cost filmmaker Robert Zemeckis his company and partnership with Disney, but the performance-capture/computer-animated movie itself about a boy (Seth Green) who heads to outer space to rescue his mom (Joan Cusack) when she is abducted by aliens offers the following:

  • Plenty enough fun and enjoyable for any kid and their parents.
  • 3D on Blu-ray looks even better and more effective than in theaters
  • Alternate scene in 3D of mother’s abduction is impressive extra
  • Lots more enjoyable bonus features including extended opening and multiple deleted scenes that are interesting, and amusing behind-the-scenes mini-doc about motion-capture process for actors.

* The Fox and the Hound 30th Anniversary Edition /Fox and Hound 2 (Disney, $39.99 three-disc set with Blu-ray and two DVDs)  is one of the few bright spots from the black hole post-Disney death era of the late 1960s – 1980s, with a cute story of an unlikely friendship between a young hound dog and a fox that evolves into a natural estrangement as they mature.

  • First half when animals are pups is far more cute and fun
  • One of last Disney movies using old school animation by several of Nine Old Men (this was also the first Disney film that filmmaker Tim Burton worked on).
  • Music and songs by Pearl Bailey (“Best of Friends”) a delight
  • Couple of mildly entertaining bonus features: sing-along, video of unlikely friendships, and mini-doc on transition of Disney animation
  • DVD premiere sequel Fox and the Hound 2 has much less sophisticated TV-style quality and different voices but cute enough for younger viewers.

– By Scott Hettrick

 

 

 

Final Destination goes IMAX

After three installments, the “Final Destination” franchise found new life in 2009 when it exploited the new version of 3D as well as any film.

Now producers are kicking it up another notch by going big with IMAX 3D for the debut of Warner Bros.’ Pictures’ release of the New Line Cinema production of “Final Destination 5” on Aug. 12 in 223 domestic theaters and select international IMAX 3D digital theatres.

“Seeing Final Destination 5 in IMAX 3D will make this an entirely new experience for even the most die-hard fan,” said Warner Bros. Pictures President of Domestic Distribution Dan Fellman. “With the sheer size of the screen and the added intensity of IMAX 3D, this won’t be for the faint of heart.”

In “Final Destination 5,” the next series of grisly deaths forseen seconds in advance by an unsuspecting participant (Nicholas D’Agosto) hits a group of coworkers headed for a corporate retreat when a bridge collapses on them. The unwitting clairvoyant is able to save his friend (Miles Fisher) and girlfriend (Emma Bell) but because they have cheated death, they are constantly on the verge of a new form of disastrous death.

Steven Quale makes his directing debut from a screenplay by Eric Heisserer, based on characters created by Jeffrey Reddick. Producers Craig Perry and Warren Zide return for the fifth time, working with executive producers Richard Brener, Walter Hamada, Dave Neustadter, Erik Holmberg and Sheila Hanahan Taylor.

– By Scott Hettrick

 

“Rio” Blu bird dynamic on Blu without 3D

Fox is delivering the Blu-ray version of the animated “Rio” today (Aug. 2) without two of the best elements of the theatrical version, the 3D (coming to Blu-ray 3D Aug. 30) and the latest hilarious and clever short depicting the nut-chasing Scrat of “Ice Age” in the new “Continental Crack-Up.”
Nevertheless, the extremely vivid HiDef images of the Bu-ray almost feel like 3D.
And the bonus features go a long way to making up for the loss of the Ice Age short, with a fun collection of bonus features:

  • fascinating pieces by the filmmakers about shooting in Rio
  • interactive option to explore Rio on your own.
  • unique exclusive access to unlock never-before-played bonus levels of the inexplicably popular phone app game called Angry Birds
  • “Rio Coloring with Blu” app that lets users color their favorite characters and backgrounds on their iPhone, iPod Touch, iPad or Android. Their finished art can then be printed out using AirPrint or shared on Facebook and other social networking sites.

This is the story of an endangered young pet bird called Blu (voiced by Jesse Eisenberg) — only coincidence that it is spelled the same as Blu-ray? — who lives with a young lady in frozen Minnesota, is forced to adjust to life when he is taken to Brazil to find a mate and save his species.
The movie gets off to a very colorful, lively, and engaging start but winds up being a cute but not dynamic story with nice music by Sergio Mendes, who hit it big 45 years ago with his “Brasil ’66″ album.
The animation, humor, music, and overall entertainment come off pretty well. But it does none of those things extremely well except, perhaps, for the computer animation. The humor may make you smerk but never laugh out loud or remember any lines.
Still, compared to most fare this year, “Rio” is a delightful diversion.

– By Scott Hettrick

Star Wars deleted scenes revealed

Fox is teasing some of the deleted scenes from the upcoming Sept. 16 Blu-ray release of “Star Wars” on Blu-ray at Comic-Con in San Diego this weekend.

Here is a 60-second teaser of the teasers, with a particularly intriguing new animation of a light saber emblazoning the Blu-ray logo:

Get the Flash Player to see this content.
– By Scott Hettrick

Potter wraps great in 3D & record IMAX

After Warner Bros. Pictures had to scrap 3D on its penultimate “Harry Potter” episode last year, the studio and IMAX got it right this time with the finale “Harry Potter and the Deathly Hallows — Part 2,” opening in a record number of  IMAX theaters this week and record advance ticket sales.

It’s the second major summer release in a row after “Transformers: Dark of the Moon” to offer 3D that provides a distinct visual value for attendees paying a premium for 3D on top of the IMAX premium ticket price, which is, as always, the best and most impactful way to enjoy movies, particularly of this visual caliber. While nothing pops off the screen like the dynamic 10-9-8… countdown of the IMAX pre-feature logo, there are plenty of scenes enhanced by the obvious depth between characters, backgrounds, and multiple elements in the shot.

This final “Potter,” guided for the fourth time by director David Yates, is far more entertaining and satisfying than the previous plodding Part One of this two-part installment. There are a surprising number of scenes played for laughs, which is a welcome relief, and the most unlikely of characters, Neville Longbottom, becomes the hero and gets one of the major roles of the movie. It also wraps up the series nicely with well-crafted appearances by all the major characters of the franchise, even those who have been killed, without dragging it into a bloated and self-indulgent three-hour curtain call like the final “Lord of the Rings. Rather than the bloated 2 1/2-hour running time of the last couple of Potter episodes, this one clock in at much more efficient 2-hours, including the book-following epilogue in which the three main characters are depicted in a happy ending 19 years after the big showdown between Potter and Lord Voldemort.

The movie debuts Friday, July 15, in a record 274 IMAX locations in the U.S., where it had garnered a record $8 million in advance ticket sales Tuesday, and opened Wednesday in some international markets. Globally, the movie will be playing in 395 IMAX theaters and grow to 423 over the following four weeks.

In order to meet the demand, many IMAX theatres have scheduled 3:00 a.m. shows, with multiple theatres featuring 24-hour showtimes for opening weekend.

– By Scott Hettrick

Lord in Blu amid fireworks at Best Buy

Ten years after its debut, “The Lord of the Rings The Motion Picture Trilogy: Extended Edition” ($119.98) debuts again this week for the first time in HiDef for home viewing in Warner Home Video’s new 15-disc Blu-ray Disc collection.

The long-awaited debut was celebrated in a manner befitting the magnitude of this trilogy franchise that was equally commercially successful and critically-acclaimed — fireworks/laser show at the stroke of midnight at a Best Buy store in Santa Monica in California. Actors from the movie were on hand to sign autographs for costumed fans as the discs went on sale.
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The new Blu-ray set is packaged with typical stylish detail by Warner. The entire remastered extended edition of each movie looks pleasingly clear and contemporarily crisp in HiDef.
The 26-hours of extras are the same as previous editions, and only in standard-def on none DVDs.

Those standard-def DVDs won the DVD Premeire and DVD Exclusive Awards each year for Best Special Edition, Best Audio Commentary, Best New, Enhanced or Reconstructed Movie Scenes, Best Original Retrospective Documentary, and Best Overall New Extra Features.

– By Scott Hettrick

Super 8 more super in IMAX

IMAX delivered a super opening weekend to “Super 8″ with $4.4 million (12% on just 239 screens) of Paramount’s weekend-topping overall $37 million domestic gross for the J.J. Abrams family thriller, according to Hollywood.com Box Office.

Meanwhile, Paramount’s 3D release of Dreamworks Animation’s “Kung Fu Panda 2,” featuring some the year’s most dynamic 3D images in a very cute , ranked fourth in its third weekend with $16.6 mil. for a domestic total-to-date of $126.9 million, and nearly $300 mil. worldwide.
Disney’s 3D movie, “Pirates of the Caribbean: On Stranger Tides,” with very minimal 3D impact but a slightly improved entertainment value over the previous two episodes of the franchise, 3D has surpassed $200 mil. domestically and is closing in on $900 mil. globally after another $10.8 mil. in U.S. grosses.

“Super 8″ feels like exactly what it is, an homage to Steven Spielberg produced by a filmmaker who can create all the elements of his mentor but cannot match the underlying soul or substance of his idol.
But since even Spielberg has been unable to create films in recent years that match his own best work of the 1970s and 1980s, J.J. Abrams offers perhaps the closest thing we’ve seen in a couple decades. Abrams delivers, as usual, on the action and tension of another thriller involving an alien, all of which gets maximum effect from the out-sized IMAX visual presentation and sound system. Adding to the fun is a score full of 1970s pop songs that sound terrific in an IMAX auditorium.
Abrams even manages to evoke terrific performances from young child actors as Spielberg did so often, including a newcomer as his star, Kyle Chandler, and the talented Elle Fanning. And that’s worth paying to see, especially in IMAX, where everything is once again bigger and better, a key asset in a film as big and effects-laden as “Super 8.”

The film is like a best-of Steven Spielberg movie; there is nary a scene that doesn’t immediately remind you of another movie — oh, that’s just like “ET,” that’s a scene right out of “Close Encounters,” there’s “Poltergeist,” “Jurassic Park,” “War of the Worlds.” There are even direct comparisons to non-Spielberg films from “Stand By Me” to “Jeepers Creepers.”
If you liked those movies (and who didn’t?), you’re sure to enjoy “Super 8.”

 

– By Scott Hettrick

Kubrick’s Clockwork, Barry in Blu HiDef..

Warner’s May 31 (2011) HiDef Blu-ray releases of a couple of filmmaker Stanley Kubrick’s best movies are magnificent (and also tied to $149 package of nine of Kubrick’s films on Blu-ray, including “Dr. Strangelove,” “2001″ and first Blu-ray version of “Lolita”):

* A Clockwork Orange 40th Anniversary Editon (Warner, $34.99) is a beautiful rendition of the 1971 controversial story of youth obsessed with sex and violence and extreme governmental attempts at deterrence and rehabilitation – originally rated X.

  • Mezmerizing peformance by then-unknown Malcolm McDowell
  • Equally mezmerizing electronic soundtrack by Walter Carlos who later became Wendy Carlos
  • Another amazing successful genre shift for Kubrick with a low budget after nearly bankrupting MGM during production of big budget of “2001: A Space Odyssey” three years earlier.
  • Blu-ray offers immaculate presentation of vivid and bright colors and dazzling, innovative sets.
  • Beautiful double-disc set with color 40-page booklet of great photos and essays.
  • Two fascinating new documentaries/interview about the movie and McDowell and two feature-length documentaries about the life and careers of McDowell and Kubrick
  • Numerous informative background trivia anecdotes by McDowell during audio commentary – Kubrick ordered the film banned from theaters and TV-home video in the UK until his death due to threats on his family.

* Barry Lyndon (Warner, $19.98) is perhaps one of the most visually exquisite films ever shot, with an equally powerful classical music score, yet the three-hour groundbreaking period film starring Ryan O’Neal (he and Farrah Fawcett named their son after his character) as an 18th century Irish scoundrel who manages to turn his series of failings and missteps mostly relating to his quick temper and penchant for deceit into an unlikely rise through the military ranks of the Seven Years War and eventually aristocracy was mostly dismissed by audiences and some critics in 1975. Yet director Martin Scorsese still considers it one of Kubrick’s best films and delivers a “profoundly emotional experience.”
It remains atop my list of the best films ever made.

  • Finally, a wider screen aspect ratio of 1.78:1 (formerly 1.66:1)
  • First HiDef Blu-ray edition is improved but still a little grainy
  • Still no bonus features included, as ever — maybe Scorsese will see to remedying that for a 40th anniversary edition in a few years.

– By Scott Hettrick

 

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