3D movies snag top Golden Globes

Two 3D movies and the two shows that HollywoodInHiDef.com rates as the best HiDef series of the 2011 were honored with Golden Globes Sunday night (Jan. 15, 2012).

Martin Scorsese made a point to mention Bob Richardson’s cinematography, “particularly in 3D” in accepting his Best Director of a Motion Picture award for “Hugo.”
Steven Spielberg accepted the award for Best Animated Feature for his first 3D motion-capture film “The Adventures of Tintin.”

In TV, Showtime’s “Homeland” won for the Best TV Series Drama, and Kelsey Grammer was named Best Actor for the new Starz series “Boss.”

– By Scott Hettrick 

 

 

Blu-ray up 20% in 2011; 3D & HD drivers

While theatrical and DVD revenues declined in 2011, Blu-ray Disc sales were up 20% for both new and catalog titles to cross $2 billion for the first time, according to DEG: Digital Entertainment Group.

A 38% jump in Blu-ray household penetration push Blu-ray compatible devices into 40 million U.S. homes by the end of the year.

Helping spark Blu-ray sales were the continued growth of HDTV sales, another 27 million sold in 2011, expanding penetration to more than 74.5 million U.S. households.

Also contributing to Blu-ray sales, the number of 3D Blu-ray releases tripled to 45 (65 overall in market now), with unit sales increasing more than six times in the same period.

The five top-selling titles of 2011 sold more than 2 million copies each. The top-selling Blu-ray titles in 2011, according to Nielsen VideoScan First Alert:

1. Harry Potter – Deathly Hallows, Part 1
2. Harry Potter – Deathly Hallows, Part 2 (available in 3D)
3. Tangled (available in 3D)
4. Cars 2 (available in 3D)
5. Transformers – Dark of Moon
6. Bridesmaids
7. Rio
8. The Help
9. Lion King (available in 3D)
10. Hangover Part 2

Total consumer spending on home filmed entertainment in 2011 was down more than 2% to $18 billion, including digital and electronic downloads and video-on-demand services, but it rose nearly one percent in the second half of the year and 5% in the third quarter alone — the first quarterly increase since 2008.

– By Scott Hettrick

Panasonic expands 3D world, Olympics

Panasonic is expanding its pioneering commitment to 3D and Blu-ray, and was rewarded with several awards at this week’s Consumer Electronics Show in Las Vegas.
The company says the 3D business, including 3D TVs, is expected to grow into a market worth $60 billion by 2020 as full-scale expansion takes off.

Among examples of Panasonic’s new 3D products:

  • Panasonic and NBC Sports Group will partner to make the London 2012 Olympic Games available in 3D to all cable, satellite and telco systems, the first time that the Olympic Games will be distributed in the U.S. in 3D. More than 200 hours of 3D broadcasts will be produced by Olympic Broadcasting Services and shown on next-day delay, including the Opening and Closing Ceremonies, gymnastics, diving and swimming.
  • Sixteen of the manufacturer’s 17 plasma TVs for 2012 feature the 3D technology.
  • Five of the 14 LED/LCD HDTVs provide 3D capability.
  • Four of the six Blu-ray Disc players in the 2012 line are Full HD 3D.
  • Panasonic Hollywood Laboratory (PHL) authors and masters many 3D Blu-ray Discs.
  • Panasonic’s AG-3DA1, the industry’s first fully integrated 3D camcorder recording to SD Memory cards, was used aboard the historic, final mission of the NASA Space Shuttle voyage and is routinely used in sports and other 3D television production.
  • A full line of 3D capable consumers and LUMIX digital cameras are available, and their images can then be easily shown on a Smart VIERA 3D HDTV.
  • Panasonic’s first Full HD 3D home theater projector, the PT-AE7000U.
  • Panasonic formally establishes its 3D Innovation Center this week, located in Hollywood at PHL, to engage with the entertainment and broadcast communities to enhance 3D production technologies and work flow and to foster collaboration with industry partners to develop new applications for 3D technologies.

“Panasonic is in the unique position of being involved in all areas of 3D, from production to what you see in your living room. We are 100% committed to the technology and confident in the knowledge that 3D TV is actually of to a faster start than the implementation of HDTV. For example there are multiple full time 3D channels available on cable and satellite, not to mention the large and varied content on 3D Blu-ray Discs. Also, the continuing popularity and number of theatrical releases can only bode well for the in-home acceptance,” said Eisuke Tsuyzaki, Panasonic Corporation of North America Chief Technology Officer. “

Regarding Panasonic’s commitment to bring the Olympics to home viewers in 3D, Panasonic North America Chairman & CEO Joseph M. Taylor said, “Full HD 3D is ideal for capturing the true spectacle of Olympic competition and the pageantry of Olympic ceremonies, and we are excited to… deliver to home viewers an unprecedented 3D Olympic experience that will make them feel as though they are right there with the world’s finest athletes as they compete.”

Among the International CES Innovations 2012 Design and Engineering Awards collected by Panasonic this week:

  • Video Displays category honoree: TC-P55VT50, 55-inch class Full HD 3D Plasma HDTV, which converts 2D-to-3D
  • Video Components category Best of Innovation winner and Honoree in the Eco-Design and Sustainable Technologies category: Panasonic DMP-BDT320 3D Blu-ray Disc player, half the size of previous models.
– By Scott Hettrick

Panasonic Blu-ray wins DEG Award

Panasonic’s DMP-BDT310 3D Blu-ray Disc Player won the DEG Emiel N. Petrone Digital Innovation Award for Best Physical Media Product award  from DEG: The Digital Entertainment Group, it was announced today at the International Consumer Electronics Show (CES) in Las Vegas.

Twentieth Century Fox Home Entertainment‘s “Rio” was named Blu-ray 3D Title of the Year in the DEG Creative Excellence Awards for 2011.
Other winners included Theatrical Title of the Year “Harry Potter and the Deathly Hallows: Part 2″ from Warner Bros. Home Entertainment Group; and a tie for Classic Title of the Year: “Ben Hur: Ultimate Collector’s Edition” from Warner, and “Star Wars: The Complete Saga” from Fox.
Warner’s AC/DC: Let There Be Rock was named Music Title of the Year.
The judging panel for Blu-ray titles, nominated by the motion picture studio and music company members of the DEG, consisted of reviewers and industry reporters from trade, entertainment and daily consumer news organizations. In addition to overall sound and picture quality, all titles were considered for those features that best demonstrate the value-added nature of the format.

Other awards announced during the DEG”s 15th annual reception:

Pioneer’s Elite Music Tap System (X-SMC4-BK) won the DEG Emiel N. Petrone Digital Innovation Award for Best Digital Media Product.
Sony Electronics‘ VPL-VW1000ES Projector was the recipient of the DEG Emiel N. Petrone Digital Innovation Award for Most Innovative Home Enterainment Product.

– By Scott Hettrick

 

M:I 4 sets $46 mil. IMAX Protocol

Mission: Impossible – Ghost Protocol” has grossed $46.1 million in IMAX theatres worldwide through Monday, Jan. 2, since the film got a five-day jump on traditional theaters.

IMAX Corp. and Paramount Pictures today announced that the film has generated approximately $33.1 mil. domestically and $13 mil. overseas in IMAX theatres, or nearly 13% of the overall gross of $367 million worldwide for the most popular film of the holiday season.

Over the four-day New Year’s weekend, the movie generated $6.1 mil domestically in IMAX theatres and $2.7 mil. internationally.

“With ‘Mission: Impossible – Ghost Protocol’ leading the box office this holiday season, it is clear that movie-goers responded very favorably to the IMAX early engagement strategy,” said IMAX CEO Richard L. Gelfond.

“We believe the film’s success demonstrates how IMAX is bringing ‘must-see’ back to movie-going,” said Greg Foster, Chairman and President, IMAX Filmed Entertainment.

IMAX worldwide gross box office for the fourth quarter ended Dec. 31, 2011 was approximately $98 million ($54.3 million domestically and $43.7 million internationally).

The IMAX release of this fourth installment of Mission: Impossible features 27-minutes of scenes filmed with IMAX cameras. Exclusively in IMAX, these sequences expand to fill the entire screen.

– By Scott Hettrick

Record opening for IMAX “M:I Ghost”

IMAX enjoyed a record December opening weekend of $11 mil. with nearly exclusive showings of Paramount’s  “Mission: Impossible — Ghost Protocol” in 300 IMAX theaters.
That’s a per-screen average of $37,000 per theater, no doubt helped by an exclusive world premiere six-minute teaser intro scene from “Dark Knight Rises” in 42 select locations from the same filmmaker, Christopher Nolan, who helped pioneer the integration of full-scale IMAX scenes into standard-format movies with his “Dark Knight.”
After running in only 125 traditional theaters since the movie opened on IMAX screens on Dec. 16, the fourth episode in the Tom Cruise franchise opens wide in all theaters Dec. 21.

Also debuting Wednesday, Dec. 21, is Steven Spielberg’s motion-capture “The Adventures of Tintin,” in both IMAX and 3D.

– By Scott Hettrick

 

Legend3D’s iconic footage in “Hugo”

After much praise for the use of 3D in Martin Scorsese’s “Hugo,” San Diego-based 2D-to-3D conversion company Legend3D announced on Tuesday that the company was the primary one responsible for restoring, colorizing and converting to 3D three key sequences depicting early 1900s cinema: Georges Méliès’ “A Trip to the Moon” and “The Merry Frolics of Satan,” and new footage of Ben Kingsley in his role as Méliès.

Most of “Hugo” was shot using 3D camera rigs but for the those three sequences, the Legend3D team, which recently colorized and converted the iconic four-minute sequence of the classic Harold Lloyd silent film “Safety First,” first prepared the source material in 2D, using restorative techniques to stabilize and accentuate the image quality while still retaining the vintage “look.” This material was then converted to 3D to match the overall depth of Scorsese’s native photography.

Rob Legato, visual effects supervisor on “Hugo” previously worked with Legend 3D on “The Aviator.” “Their 2D-to-3D conversion not only exceeded our very high expectations, but their fast turnaround and innate creative attention to detail produced take-one finals every time.”

“Applying VFX and conversion work to some of the first ‘visual effects’ scenes in the history of cinema … this was intrinsically fun,” said  Jared Sandrew, VFX supervisor at Legend3D. “The footage is inherently playful, which made it really come to life when introducing another dimension.”

– By Scott Hettrick

Five 3D films in Turkey Day Top 8

Five 3D movies ranked among the top eight top-grossing films of the holiday weekend, including two new releases, one of which enjoyed 75% of its revenue from 3D.
While Summit’s “Twilight Saga: Breaking Dawn Part 1″ remained the leader, and was followed by Disney’s new “Muppets,” Warner’s “Happy Feet Two” in 3D and in IMAX repeated in third place with more than $18 million for a two-week domestic haul of nearly $4 mil.
The two newcomers: Sony’s “Arthur Christmas” collected $17 million over the five-day day weekend at 3,376 screens, 53% of which was from 3D showings, according to BoxofficeMojo.com, and Paramount’s “Hugo” generated $15.4 mil. from just 1,277 screens, thanks to 3D, which accounted for 75%  of that total.

Relativity Media’s “Immortals” 3D stayed strong in 7th place, growing its three-week domestic total to nearly $69 mil., while an eighth place finish for Paramount/DreamWorks’ “Puss in Boots,” also in 3D and IMAX, grew five-week grosses to $135 mil.

There are three more 3D movies coming in December, beginning with the Chipmunks “Chipwrecked” on Dec. 16, followed by Steven Spielberg’s “The Adventures of Tinin” on Dec. 21 and “The Darkest Hour” on Dec. 23.

– By Scott Hettrick

Cameron’s new 3D on OWN

James Cameron is shown in production on a 3D theatrical film of a Cirque du Soleil show at the Mirage resort in Las Vegas in the new episode of “Visionaries: Inside the Creative Mind” on OWN TV, which premiered Sunday night (DISH Network carries the HD version of the network, not DirecTV).
Cameron also is shown at a Los Angeles studio shooting a new 3D demo for theater owners of an enhanced 3D format on a Medieval set featuring actors in a sword fight.
The illuminating segments are part of an entire hour of the new OWN weekly series in which Cameron describes his personal and professional background and his approach to his groundbreaking work. Cameras follow him from awards ceremonies to meeting with small groups of environmental activists.
The following is an outtake from the program featured on the OWN web site in which Cameron and Schwarzenegger discuss the origin of “Terminator,” followed by a 5 1/2-minute video of an extended scene from the program. (So far there does not appear to be any repeats scheduled, but surely there will be in the near future.)



– By Scott Hettrick

Real Steel real deal at IMAX

“Real Steel” may be susceptible to criticisms of a sappy story that borrows from every Rocky-type movie from “Karate Kid,” “The Champ,” and “Iron Giant,” to several installments in the Rocky series itself, but that didn’t make the formula any less appealing to a new generation of young boys and their fathers this past weekend, especially at IMAX theaters.

The DreamWorks Pictures release distributed by Disney’s Touchstone Pictures was not only far and away the #1 movie of the weekend with $27.3 million in the U.S., it also pummeled its way to $3.2 mil. on 270 IMAX screens, according to IMAX, which is more than 12% of the overall domestic gross and, according to Hollywood.com Box Office, a September/October record at IMAX theaters.

The movie, set about 15 years in the future and featuring an irresponsible  father (Hugh Jackman) and his estranged but precocious son (Dakota Goyo) struggling to build a new relationship while building a robot that becomes an unlikely champion of bot boxing, generated a total of $4.4 mil. at IMAX theaters worldwide, including $1.2 mil. in 62 IMAX screens overseas where the movie grossed $22.1 mil.

Greg Foster, IMAX Chairman and President of Filmed Entertainment, said the forecast for the movie is especially strong since it has yet to open on nearly half of the overseas IMAX screens.

The script is way too precious, the movie way too long at well over two hours, there are way too many blatant product placements, and Goyo is nearly as melodramatic as Ricky Shroder was in the 1979 “The Champ,” but it’s clear why this movie appeals to that target demo, and Jackman and the robot action are both enough fun to keep parents and less discriminating audiences entertained.
And, of course, all of the large-scale boxing action looks even better on the large-format IMAX screen.

Meanwhile, Warner Bros.’ 3D “Dolphin Tale” also appealed to the family audience with another $9.1 mil. as it swims towards $50 mil. in U.S. theaters.

Still another family film, this one also in 3D, “The Lion King,” clawed its way to another $4.6 mil. even after the release of the Blu-ray 3D version of the movie this week, roaring to a total of $86 mil.

– By Scott Hettrick

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